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At EARF Audio, we specialise in supplying and installing residential, professional, and commercial audio-visual equipment and systems across the UK.
Established at the start of 2023, we are a proud, family-run business based in Cheshire, with a close-knit team of three: Tim (father), Aidan (son), and lifelong friend Andy. United by a shared passion for music production, DJing, and high-quality sound reproduction, we bring a wealth of expertise to every project.
Staging a live music performance requires a wide array of equipment and careful planning to ensure smooth execution and an engaging experience for the audience. Here’s a comprehensive selection of equipment you might need.
Setting up a well-equipped music studio involves gathering the right equipment and creating an environment that promotes creativity and sound quality. Here’s a selection of equipment you may need:
Professional and commercial audio equipment varies based on application, but all share the goal of delivering high-quality, reliable sound. Whether in a recording studio, live venue, broadcast studio, or commercial space, the right gear ensures clarity, power, and precision in audio performance.
Here’s an assortment of equipment you may require
Computers in the audio industry need to be optimized for speed, reliability, and efficiency. High-performance CPUs, fast storage, high-quality audio interfaces, and proper networking tools all contribute to a seamless audio production experience. Here’s a selection of equipment you may need.
Grade A
Grade B
Grade C
The Exo-Pod take a line-level XLR input and splits it cleanly to ten XLR outputs and four 3.5mm TRS jacks for connection to video cameras, hand-held recorders, tablets or other media systems. A variable input trim allows the broadcast technician to reduce the global output level locally for convenience, and all of the outputs are…
The Exo-Pod take a line-level XLR input and splits it cleanly to ten XLR outputs and four 3.5mm TRS jacks for connection to video cameras, hand-held recorders, tablets or other media systems. A variable input trim allows the broadcast technician to reduce the global output level locally for convenience, and all of the outputs are transformer isolated to eliminate hum and buzz that is often encountered due to ground loops. The XLR outputs are supplemented with individual ground lift switches to further abate noise, and an XLR thru connector allows multiple Exo-Pods to be linked together to provide an expandable solution to handle events of any size. =+= Technical Specification
Audio circuit type
Passive
Number of channels
14 outputs
Frequency response
<20Hz to >20kHz ±1dB
Dynamic range
>136dB / >100dB
Gain
-3.5dB / -18dBu
Clip Level
>+26dBu
Total harmonic distortion
0.00%
Intermodulation Distortion
0.01%
Phase Deviation
-5/+25°
Input Impedance
350 Ω
Output Impedance
XLR: 1000 Ω | 3.5mm: 4600 Ω
Common Mode Rejection Ratio
63dB
Equivalent Input Noise
-108dBu/-84dBu
Noise
XLR: -111dBu | 3.5mm: -86dBu
Ground lift, Level Control
Input Connectors
XLR
Output Connectors
XLR, 3.5mm
Construction
14-gauge steel chassis & outer shell
Size (L x W x D)
L:11.75″” x W:5″ H:2.25″ (298.45mm x 127mm x 57.15mm)
Weight
3.6lb
Shipping size (L x W x D)
L:13.37″ x W:5.5″ H:3.25″ (571.5mm x 260.35mm x 114.3mm)
Shipping weight
4lb
Power
Passive, no power required
Conditions
For use in dry locations only between 5°C and 40°C
Brand | Radial |
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