Your basket is currently empty!
At EARF Audio, we specialise in supplying and installing residential, professional, and commercial audio-visual equipment and systems across the UK.
Established at the start of 2023, we are a proud, family-run business based in Cheshire, with a close-knit team of three: Tim (father), Aidan (son), and lifelong friend Andy. United by a shared passion for music production, DJing, and high-quality sound reproduction, we bring a wealth of expertise to every project.
Staging a live music performance requires a wide array of equipment and careful planning to ensure smooth execution and an engaging experience for the audience. Here’s a comprehensive selection of equipment you might need.
Setting up a well-equipped music studio involves gathering the right equipment and creating an environment that promotes creativity and sound quality. Here’s a selection of equipment you may need:
Professional and commercial audio equipment varies based on application, but all share the goal of delivering high-quality, reliable sound. Whether in a recording studio, live venue, broadcast studio, or commercial space, the right gear ensures clarity, power, and precision in audio performance.
Here’s an assortment of equipment you may require
Computers in the audio industry need to be optimized for speed, reliability, and efficiency. High-performance CPUs, fast storage, high-quality audio interfaces, and proper networking tools all contribute to a seamless audio production experience. Here’s a selection of equipment you may need.
Grade A
Grade B
Grade C
The CrashGuard and CrashGuard 421 are unique sound-shielding devices that prevent bleed from cymbals and other sounds from entering the drum microphone. Once in place, the CrashGuard surrounds the microphone with a sonic barrier. By reducing the spill from the cymbals, more of the drum sound can be captured. This makes it easier for the…
The CrashGuard and CrashGuard 421 are unique sound-shielding devices that prevent bleed from cymbals and other sounds from entering the drum microphone. Once in place, the CrashGuard surrounds the microphone with a sonic barrier. By reducing the spill from the cymbals, more of the drum sound can be captured. This makes it easier for the engineer to add EQ or increase level without accentuating the sound of the cymbal.
Compact and lightweight, the CrashGuard is designed to fit most standard microphones, while the CrashGuard 421™ is perfectly matched to the popular Sennheiser MD 421. Both models easily mount to the boom stand using the microphone’s clip to hold it in place, with the 421 version providing two different mounting positions for easier positioning of larger microphones. =+= Technical Specification
Shell Material
ABS plastic, black (75% recycled material)
Inner Liner
High density acoustic foam
Dimensions
7” x 3.75” x 2” (17.8cm x 9.5cm x 5cm)
Brand | Primacoustic |
---|
Reviews
There are no reviews yet.